“The Liminal Space” in the Paris Review Daily

Hiroshi behind scoreboard

Photo by Ivan Weiss.

Bull City Summer Director Sam Stephenson writes about the tension between art and journalism for our latest installment in the Paris Review.

For the past thirty years, the photographer Hiroshi Watanabe has split his time between Tokyo and Los Angeles. I met him at the Durham Bulls Athletic Park when he reported for his first day of work on the Bull City Summer project. He’s a compact man who moves carefully but fluidly; at age sixty-two, he resembles a boxing trainer or a retired gymnast. On meeting, he said to me, “I have a question—why did you invite me? I don’t follow baseball and I’ve never photographed it.” He already knew the answer—I think he wanted to find out if I did.

Read the full piece here.

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